(Source: inritus, via woodeninsomniac)

Photographs of blood and milk by

Frederic Fontenoy

(Source: mexicanist, via outsh)

Une Femme Fatale: under her skin.

The unknown:
Fear, film, failure

Sexual strength of women
Lost perception of meanings

"Because it’s nowhere"

One can’t kill what was never alive
Hypocrites.
A game against the weak
A war for the cheerful ones

The harder, the better

Beaten only by the presence of true life itself
There isn’t a purpose; only victims
Vanishing in the vacuum

Breathing for genitals

Labyrynth
a crying child
no feelings.

there she was
a dead woman
who had never been alive
searching for a hidden path
to the sexiness of existence

and fear
film
failure

Not. Human.


Road

Road

(Source: marcotraversophotography)

boyirl:

The Weakness by Andrew Salgado

boyirl:

The Weakness by Andrew Salgado

(via outsh)


Walking on a Mountain Path in Spring (c. 1190 - 1279) by Ma Yuan

Walking on a Mountain Path in Spring (c. 1190 - 1279) by Ma Yuan

(Source: thisishowtheworldends)

woodenbattery:

"never loved younot reallyforget me”

lovers on the bridge

woodenbattery:

"never loved you
not really
forget me”

lovers on the bridge

excdus:

Chad Wys
hannabalxmarie:

.
20aliens:

Olaf Otto Becker

20aliens:

Olaf Otto Becker

(via v-e-n-u-s-infurs)

luaquieta:

Dancers at the Barre (study), Edgar Degas, 1877

luaquieta:

Dancers at the Barre (study), Edgar Degas, 1877

(Source: aestheticgoddess, via luaquieta-deactivated20140730)

Uns céus em branco
Onde humano cego e frouxo
Pinta claro escuro
As cores tristes da aquarela
Onde vê resto de infância
Esfriar-se na quentura
Alumiada de uma noite
Imatura, já na terra
Furta ungido orvalho
Válido de antiga erva
Agora uiva o homem tonto
Por matar sua essência externa
.

natura

(Source: deiparous, via outsh)

soniasapinho:
Século XVII [1ª quartel]

soniasapinho:

Século XVII [1ª quartel]

(via cores-primarias)